by Various Artists




"Ecstattic Forever" is the fifth compilation of music recorded, mixed and mastered at Ecstattic Studio in Minneapolis, Minnesota. Comprised of recordings from the majority of 2015 and a bit 2016, "Forever" captures the studio's output at a crucial juncture. There are tons of new debuts, old friends, new lineups of established bands and startling left turns from scene stalwarts, all captured in the studio's established style of 'Artist-Fi" a.k.a. however dirty, clean, wet, dry, big, small or whatever that the song (and its composers) require. Ecstattic remains proudly and professionally committed to bringing these creations into the world, unfettered by social pressures and industry norms.

A bit about each featured artist follows:

Lunch Duchess is a new project featuring 2/3rds of BOYF (see below) as well as members of Mrs. and Catbath. Sporting a satisfyingly aggressive pop aesthetic that grafts bits of northwest indie rock onto classic chamber pop and soft-soul sounds, Lunch Duchess hit a sweet spot you never even knew existed. Their debut EP is out soon.

Strange Relations are a three-piece post-punk band that takes elements of kraut, punk, 90s guitar rock, pure pop and shoegaze, grind them up, place them beneath breathy, committed vocals and miraculously create something that is not only endlessly compelling; it's catchy as hell. Their new EP featuring "Drift" (and more tracks from the attic) is out soon.

Joey Joey Michaels is a dreamy, self-made pop star from an alternate universe. Backed here for the first time by a five-piece R&B/soul band, "Next to You" finds Joey reaching his full potential as a softly-crooning dreamboat lothario. His first mini-LP. "Manchild," is out now and it is incredible.

Elliot Reed + Yume Nikki is a collaboration between electronic artist Elliot Reed and two-piece doomgaze band Yume Nikki that reimagines Reed's harsh electro-pop compositions as ripping combinations of mangled, over-processed guitar and ferocious drums. Their 6-song re-imagining of Elliot Reed's "Anxiety Magic" EP is out soon on the Ecstattic Studio record label.

Dracular are a new two-piece math/noise-rock band that balance completely unhinged performances with pensive lyrics and bizarre compositional left turns. They will remind you of a lot of great records you own, but are too weird too be called referential and too mean to be called reverent. These are all good things.

BOYF is a transgressive synth-pop band whose sweet mixture of synth-pop, R&B and darkwave is a startlingly effective vehicle for discourses on serious issues facing queer, trans and female-identified people. "Current Trends" typifies this approach, using a sultry musical backdrop to address and then ruthlessly dress down a sexual abuser.

bliss uk are a sadly defunct post-punk-pop trio (featuring members of Sarah Johnson, Gospel Gossip Chambermaids, etc.) whose music embraced the endlessly-processed digital ecstasy of landmark 80s bands like Cocteau Twins. Pairing those impulses with carefully chosen textures and unique vocal performances, Bliss struck musical gold before going their separate ways.

Hollow Boys are a Gloom-Pop band whose mercurial music often toes the line between ambient, sludge and glam-rock. "A New Shadow" is a remix/re-arrangement of the title track of their latest EP, A New Star, and prominently features the bass stylings of Cole Benson as well as the unstoppable whooshing of a broken amplifier.

Ego Death are a three-piece post-pop band who mix strains of punk, folk, country and shoegaze into a relentlessly satisfying whole. "Graveyard" closes out their latest (and first) self-titled LP with a bang, charging out of a wash of ambient noise and into a life-affirming one-chord punk breakdown. They are currently working on a follow-up that promises even more musical riches and 100% more saxophone solos.

Psybeams are a post-rock band whose aspirational compositions balance the technically-centered, jazzy post-rock of Tortoise with the occasional bout of unselfconscious tap-shredding or black-metal void-gazing. Their debut EP, featuring the full version of 'Sun Chamber," is out now.

Fret Rattles are classic garage-punk lifers, taking years of punk/metal/garage experience and wielding it like a weapon. "Lonely" is the first song from their upcoming LP and a perfectly-executed slice of brutal desert rock adapted, surprisingly, from a classic Northern Soul song.

DIIE is a four-piece psych-punk band featuring 3/4ths of shoegaze masters Fire in the Northern Firs and studio proprietor Ali. "Range" is an uncharacteristically pleasant slice of chiming guitar pop and is the first song from their debut EP as a four-piece, "UFO Satanic Terror," which will be out soon on Ecstattic and, generally, sounds more like its title than this song may suggest.

Heaven on Howitzers are Minneapolis' finest purveyors of traditionalist instrumental post-rock. Having studied the masters and perfectly calibrated their reverb pedals for maximum apocalypse, they give us "No End Pt. 2," an orgy of descending guitars, violently grooving bass and relentless drumming. HOH bring an appropriately heavy vibe to this single, which will be released in full on the Ecstattic Studio record label.

Tall Tall Mountain are masters of 90s power-pop in all its various forms: chunky, wistful fuzz anthems; pavement-style slop-dirges; radio-ready guitar ballads and anything else that fits the bill. "Flatlands" is bottled charm, showcasing the band's effortless way with ear-worm guitar melodies and deceptively catchy sing-along choruses. Their debut EP is out now.

Hot Cellars are a Nocturnal Surf band whose music expertly combines the gregarious vibe of 50s bubblegum pop with the seedy undercurrent and burgeoning sexuality of 60s surf-rock and psychedelia. "Take it Slow" expertly illustrates this, combining a gently strolling doo-wop ballad (complete with Staples Singers-esque back-up chorale) with aggressive drums and a sadomasochistic lyrical bent. They are currently prepping their debut LP for release.

Blue Ruin is a motown-punk band (proudly from Minneapolis, MN) whose classic-leaning brand of blue-collar rock draws from every era of jukebox gold: 60s pop, 70s glam and punk, 80s new wave, etc. A song like "Mayday" proves just how completely they've internalized these influences with its effortless melodies, elegantly bruised vocals and general vibe of easygoing heartbreak.


released February 19, 2016

All tracks written and performed by their respective artists/Recorded, mixed and mastered by Ali at Ecstattic Studio, 2015-2016



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